![]() ![]() You could keep it really straight, but I find following this natural curve helps make it look more three-dimensional. Carefully draw a line from the forehead down to where the lips should be, following the same curve of your subject. To finish the face take care to observe the direction and tilt of the head. For a detailed Paper by 53 hair tutorial, check this out one time. Now is a great time to pencil in the hair, mustache, or beard whiskers using black as your base and a bright brown or yellow over the top. This will help tighten things up and fix the less than precise strokes of watercolor you laid down earlier. Same deal as the background, select the pencil tool and start refining edges that are deep in shadow (hair line, necks, clothing, etc). Move quick and deliberate with the watercolor brush. Move fast and avoid lingering in one spot to keep your edges soft and avoid going too dark. Shape really matters - if you don’t get it right just two finger rewind and try again. For areas that are in shadow, mix in a dull (almost gray) red or blue and then quickly paint half of the face. First few layers are to fill the entire face with whatever skin color you’re trying to match. The trick here is to gradually apply smooth layers of a light color using the watercolor brush. Experiment with the amount of color you mix because if you add too much the opaque nature of white is removed and it won’t “erase” the background beneath. Use white to outline and progressively lighten the figure’s shape or face.Ī white mixed with a hint of orange or yellow works great too. Watercolor allows you to progressively lighten and soften edges, which helps enhance the realism. The marker or fountain pen are appropriate for face lightening, but you can’t layer them as much. On the rare chance the background is really light, use flesh tones (light brown/pink/orange) instead. Using a white pencil, outline the face or blob it out with watercolor instead. The background should be nice and heavy now.
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